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Portfolio
of Being and Becoming an Environmental Art Social Practice Artist
Photos of me taken by Logan Fazio with my creative direction posing with a collaborative land art work made with my fellow artists Alex Zastera, Oscar Rieveling, and the Earth Mandala workshop participants. Uprooted baobab tree and plant material from the Kampong National Tropical Botanical Garden in Miami, FL. 8 ft x 8 ft mandala.
An upcoming iteration of this Mandala workshop will teach participants to work with dried materials instead to avoid harming living plants and minimize waste.
“… And this is a Yadira in her Natural Habitat” (2024)
I am an “Environmental Art Social Practice” artist because my practice is rooted in a conceptual framework and activist methodology I developed through a series of academic research essays
that lay out ways my art practice can be a solution to social and environmental problems.
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Presentation delivered on March 2024 as guest lecturer for Fereshteh Toosi’s Eco-Art Class at Florida International University. Click here to view the thought map on Miro.
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Written in 2022 as what I called the master’s thesis of my self-created Alt-MFA developed between 2 years working at the ICA Miami museum and 2 years of travel through Latin America studying eco-communities. Name was inspired by the MFA in Environmental Art Social Practice at UC Santa Cruz. Read it on Medium.
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Written in 2022 inspired by attending the CLEAR Climate Justice Leadership Program from Catalyst Miami and the Permaculture Design Certification at the Heartland Collective. Read it on Medium.
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Written in 2017 as my Senior Thesis for my BA in Urban Studies at Barnard College. It included the “Urban Love Generator” Practicum featured below. In it I developed “A Manifesto for the Artist as Citizen” and “Three Pillars of Thought for the Artist as Urbanist.” Read it on Medium.
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Written in 2016 for Junior Colloquium for my BA in Urban Studies at Barnard College. Read it on Medium.
I have the theory, but I have more work to do to bring it into reality. My current interdisciplinary portfolio is full of sparks of possibility. I am ready to explore the full potential of my ideas with the focus, resources, and community of an MFA.
“Urban Love Generator” (2017)
Created as the Practicum of my Senior Thesis for the BA in Urban Studies with a Concentration in Dance at Barnard College. The chalk installations were a site-specific intervention on the historic border between Harlem and Columbia University’s campus meant to bring together residents from both communities, especially the children at the park. The renderings below show how each molecule included a scientifically-supported choreography for the player to dance out in order to generate that love chemical.
My trajectory is evolving from creative placemaking to regenerative
placemaking as climate justice causes come to the forefront in our times.
“The Whirling Vortex Labyrinth”(2020)
I designed and installed a 40 feet x 60 feet stone labyrinth at the base of a tree in the Finca Morpho Eco-village near Puerto Jimenez in Costa Rica with the help of my community as part of my 2 month residency there. The design was a multi-cursal dance choreography. It featured spiraling paths where participants were encouraged to practice whirling like Sufi dervishes for spiritual insight (and pure delight).
My journey healing with the land led me to create these Environmental Art Social Practice community engagement activations.
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"Swamp Therapy in the Everglades" (2020)
In January I invited my community to learn along with me through 4 hikes in Everglades National Park. I engaged community both in person and through virtual storytelling on social media. I led with thorough facilitation exercises that included learning about Indigenous history, reflecting on our ancestry’s connection to the land, sharing indigenous wisdom like the 7 Direction Prayer and Medicine Wheel, creative arts therapy like writing poems about the taste of the water, cleaning up trash, and making offerings of songs to the landscape.
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"Coral Friends of Biscayne Bay" (2023)
In November I hosted 6 events to build a community around learning more about the corals of Biscayne Bay as a response to the drastic bleaching events that Summer. The series included a climate grief circle, a snorkeling trip, a film screening, and an eco-mermaid gathering water ceremony. The project continued past November with coral restoration volunteering, microscope photography, coral mandalas, a series of coral poems, and AI-generated designs for underwater sculptures to inspire potential future installations.
In the “Rites of Passage” series I explored ritual, ceremony, and altars as theatrical interactive mixed-media installations that opened the door to creative facilitation as an art form of its own within social practice.
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"Moonrise Cradle" (2019)
“When we are children, our loved ones bid us off into the dream world with songs and stories. And that’s what we did together on a full moon bonfire at the beach that began by watching the blood red moon rising from the horizon. I shared songs in Yoruba, Taino, Spanish, French, and English to honor my ancestors. I told stories shared with me by my teachers from indigenous traditions around the world, and so did all the glowing souls who came to seed our collective dream. We drank herbal tea for clarity, drank honey made by bees from the Everglades for abundant sweetness, and ate chocolate made by a chocolatier in Miami using cacao beans from farms owned by women in Guatemala for opening our hearts. We offered our dreams to the rainbow fire so it may carry them off to the spirit world.”
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"Twilight Seed" (2019)
“We built a counterclockwise 25 ft x 25 ft 7-Circuit Seed Labyrinth made of sticks, rope, and flowers at the beach and held a sacred shamanic drum journeying ceremony at sunset. Dream. Ritual. Play date. Ancient Pathfinding Ceremony. The seed to build a labyrinth was planted with a prophecy given to me by an elder about walking a labyrinth on the full moon to make a wish. From there it snowballed into a research obsession following the work of Lauren Artress with the Chartres Labyrinth, making my own shamanic drum to develop my inner-eye journeying, and finally the desire to host a gathering to share the wisdom of labyrinth meditation in helping us navigate our paths. Labyrinths have a single path that meanders toward the center. Walking that journey to your own center and back out into the world offers a mirror of the lessons you need to learn right now to let go and let be.”
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"Rooted Heart" (2020)
“Look in the mirror to see who has lived through you. How do you tend to your ancestors? This was a space for us to learn together, and do the work. Through art therapy we are guided to create a family tree from living memory, world history, and the tree of life in exponential cosmic time. Do you feel your ancestors pulsing in your blood? Come take a walk with them to hear their guidance, and dance them alive in your body. Your talents and traumas are the ancestral prayers you carry forward into who you are meant to become. Clarity is knowing your power. We are working with sacred raw cacao medicine to open the heart to the bliss of loving awareness. This ceremonial cacao paste was handmade with lots of love by me in collaboration with a fellow Cuban sister for Cacao Ethika in Costa Rica. The energy of this container led to a spontaneous carnaval parade in search of union, a deep guided meditation taking us back to ancient humans and the beginning of the universe, and singing and dancing in collective effervescence.”
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"Integritea Planting" (2021)
“Integritea Planting: a Tea Ceremony, Integration Circle, and Tree Planting” hosted at Earth n’ Us Farm. Initiations and Rites of Passage are parts of the path. We need support to integrate them, and create empowering stories for how we plan to show up in the world with a critical awareness of history. If you have sat with plant medicine, lost a loved one, returned from life-changing travels, or entered a new life stage, this is an offering for you. It is an honor to walk our truth. Integrity is key to fulfillment. You are invited to join this creative arts therapy workshop to bridge the alignment of your values with your actions. Come receive tools to process transformative experiences. This is a space held for you to integrate spiritual lessons into the material world to align with your purpose in service of the bigger picture.”
Before developing my conceptual practice, my art as a tool for self-expression often took the form of mixed media installation, assemblages, and altars. These were the primary mediums I exhibited in galleries, and often a related performance would accompany them.
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"Fertility and Mortality" (2016)
5 ft x 3 ft corner installation made of film photographs taken in Paris, printed kaleidoscope photos of altars made from objects related to women’s health products I use, clothespins, yarn, cloth, peacock feathers, and dried mugwort.
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"Dance Trance for Swallowing My Tongue and Sticking It Out" (2016)
Archival photo from 5 minute dance performance at Hang Night at the Heath Gallery in November of 2016. The performance was an extension of the corner installation. Choreography for this performance was developed in Colleen Thomas’s Composition class.
While in college, I experimented with multimedia and creative technology to create projection mapping performances and dance films. I would like to return to film and photography in particular as potent tools for solutionary collaborative storytelling!
“Invisibility Cloak Study #7” (2017)
This is a gif composed of a series of timed long-exposure photos I created with a projector while dancing with a unique white fabric that reflects light. The projection is generated by Electric Sheep which is a volunteer computing project of evolving fractal imagery. I created this series while at ITP Camp at NYU exploring projection mapping creative technology. There is a mystical otherworldly aesthetic that I gravitate to across all mediums present here, and I am curious how to incorporate creative tech into environmental art social practice in the future.
“Don’t worry (FKA Ghost Light)" (2016)
This is a dance film technique study in choreographing the camera with the dance all in a single shot. It was created as a part of Gabri Christa’s Screendance Class. This medium continues to inspire me and I intend to make more dance films with an environmental focus.
Thanks for looking through <3
I hope this inspired you!
I’ll leave you with a poem I wrote on top of my microscope photo of a rose quartz crystal after leading a flower rebirth ceremony for fellow artist Anabella Bergero in 2022. Poetry is my daily medium, and I weave my love of words throughout all my work.